‘Tis the time of year to lounge on the sofa and consume a tin of holiday pastries in front of a terrific flick, a awful feature, or one that’s so bad it’s good.
Once again, a crop of latest seasonal stories strives to join part of our festive viewing—perhaps even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Therefore, in a vital public service to separate the winners from the losers, and to embrace the Christmas spirit, I watched as many new Christmas films as possible in a single day.
Kicking off, ideally, on a positive note. This release is the sole 2025 movie on a popular review site's list of the greatest 100 festive features of all time.
The Jonas Brothers are stuck in the UK after concluding their international trek and must return for Christmas. Their endeavors are hindered by an villainous Saint Nick, who breaks into song to state they won’t get home until they “rediscover their brotherly magic.”
The banter between the arguing trio is amusing even for the non-fan, while fans will undoubtedly catch lots of easter eggs as they try to get back using all transportation available.
It’s private planes, trains and automobiles.
It’s not a timeless masterpiece, but is great for devotees and a positive start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who will have to sit through it.
Famous performer Kiefer Sutherland appears as a movie actor tricked into a traditional British stage show.
“A panto-what??” asks Sutherland’s “difficult” and aging lead Brad Mack, who has seen better days and whose representative has misled him into thinking he’s starring in high-class London stage.
His Aladdin cast-mates let him know he’s playing Buttons. “Absolutely not,” he insists angrily. It's easy to predict their retort. Unless you’re unfamiliar with traditional British theatre traditions.
There are some great jokes, some cockle-warming side stories, and the supporting actors is brilliant, too.
It’s the kind of movie that would be a bit naff at another season, but is a highly enjoyable at Christmas.
Holiday verdict: 🎄🎄🎄🎄
Danny Dyer pops up at the outset of this film, too, insulting someone for the next movie straight. Might this become a fresh holiday staple?
This time, he’s a singing black cab driver who picks up Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The classic narrative progresses as the stingy Mr Sood is visited by the ghosts of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least unique from all the others, but unfortunately he’s not very charismatic and Nayyar’s acting is flat—a major flaw when he’s so the focal point.
Festive score: 🎄🎄
There's just enough time for a major broadcaster's original festive film—which stars Guz Khan as a endearingly grumpy man who “avoids Christmas.”
But after he is awarded an large festive windfall at work, his wife (portrayed by Morgana Robinson) talks him into spending the sum on a family trip to Lapland.
There’s just one snag—he discovers there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to pay back the remainder.
Enjoyable but forgettable.
Holiday verdict: 🎄🎄
This is one of those holiday movies where the festive trappings are in the setting—Christmas is the setting of the film rather than its raison d’etre—but it feels warm and holiday-like all the same.
Driven corporate star Sydney (starring Minka Kelly) is assigned to a vineyard to do a deal for a sparkling wine company. During her travels, she runs into a guy in a literary haven who promises to show her Christmas in Paris.
A critic recently stated this is the finest new Christmas film of the past few years. That’s a bit of a exaggeration, but it is a Christmas romance with a hint of sophistication and gives the obligatory warm and fuzzy feels.
The scene with a extended debate about Die Hard is particularly strong too.
Festive score: 🎄🎄🎄
Teenage Chris, played by Lenny Rush, holds onto his belief in Father Christmas, in spite of the efforts of his dad (played by James Buckley) to tell him the reality.
The truth is out there, and Chris ventures forth to find it with the guidance of a team of well-known scientists and personalities.
It’s understated but sweet, and perfect viewing while waiting for Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the head of a quarrelling American family who come back together for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in reality it’s really a jumble of those forerunner films, at least until Pfeiffer’s character finally takes center stage.
Holiday verdict: 🎄🎄
The day’s gone downhill, but fortunately here’s a new offering in the packed genre of predictable, sentimental, cheesy—and highly entertaining—holiday fare.
It’s a story as well-worn: An American woman journeys to a far-off wintery locale and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
Emma is a cannabis enthusiast and writer with a passion for exploring the benefits and culture of hemp products.